Phone: 1(480)945-9100 .... Fax: 1(480)945-9102 ... E-Mail |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
[Raper's Dance Classes] [Dance Teachers Corner] [Visitor Feedback] |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Raper's|
|
RRailsSee Slot/Rails Receiving FootWhen weight is transferred from one foot to the other, initially the CPB is centered over the Sending Foot. After movement and weight transfer the CPB will become centered over the Receiving Foot. Also see Foot Leads Relative Placement Scoring SystemThis form of competition scoring is now used at most major swing dance competition events. The system insures that each judge has an equal vote in the final outcome. This is accomplished by adding an equal numerical value to each judges raw scores. For a more detailed description see the Relative Placement Scoring System on the World Swing Dance Council web site. RelevéA relevé is a rise of the body caused by rising onto the balls of the feet (demi-pointe). This is sometimes referred to as an elevé. Also see Ballet Terms . ResistanceResistance refers to the amount of connection that allows information to be transferred from the CPB of one partner to the CPB of the other partner. The amount yields either an Active Connection or Passive Connection (neutral). The amount of Connection or Resistance are also referred to by some instructors as Tone. Also see: Centering/Centered, Lead & Follow RhythmMusic such as Swing, Salsa, Waltz, Rumba, Hustle, and all other types of music are defined by their unique rhythms. The rhythm of each specific type of music is defined by its underlying tempo, beat, pulse, accents, syncopations, etc. Also see Measure (Dance v. Music) Elson's Music Dictionary, by Louis C. Elson, 1905, states, "Rhythm represents the regular pulsation of music." Rhythm DancesRemain in a small area on the dance floor. Some examples are almost all of the Swing Dances, Night Club 2-Step, Hustle, ballroom Cha Cha, and others. Also see Smooth Dances. Rhythm PatternIs composed 2 or more Dance Measures (Rhythm Units) Rhythm Units (AKA: Dance Measures)The terms Rhythm Units and Dance Measures and are sometimes used interchangeably herein. Webster's New World Dictionary, by Simon &Schuster, 1976 gives one definition of a measure to be, "a rhythmical pattern or unit." In dance we shall use the term Rhythm Unit or Dance Measure. See Measure for a more complete definition. All of the Rhythm Unit (Dance Measure) examples defined here are 2 beats in 4/4 time. Other examples defined elsewhere are 3 beat Rhythm Units for Waltz danced in 3/4 time; and special 3 beat Rhythm Units for Hustle danced in 4/4 time (confusing huh? -- see Waltz & Hustle).
Also see Elements of Music, Basic Rhythm Units, Secondary Rhythm Units, Advanced Rhythm Units, Rhythm Pattern, Waltz, Hustle, Measure For diagram definitions see Straight Count Musicians Annotation
This is the "straight count" used by musicians. This musicians straight count is rarely used by dancers. Instead, the following "straight count" is commonly used by dancers. Basic Rhythms
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
EVEN |
|||||
| Count | & |
1 |
& |
2 |
|
| Rhythm | / |
/ |
|||
EVEN |
|||||
| Count | & |
1 |
& |
2 |
|
| Rhythm | X |
X |
|||
ODD |
|||||
| Count | & |
3 |
& |
4 |
|
| Rhythm | X |
/ |
|||
Delayed Single Rhythm
(Odd Rhythm)
ODD |
|||||
| Count | & |
3 |
& |
4 |
|
| Rhythm | / |
X |
|||
ODD |
|||||
| Count | & |
3 |
& |
4 |
|
| Rhythm | X |
x |
X |
||
For diagram definitions see
Short Hand Terms or Annotation
EVEN |
|||||||
| Count | & |
a |
1 |
& |
a |
2 |
|
| Rhythm | / |
/ |
|||||
EVEN |
|||||||
| Count | & |
a |
1 |
& |
a |
2 |
|
| Rhythm | X |
X |
|||||
ODD |
|||||||
| Count | & |
a |
3 |
& |
a |
4 |
|
| Rhythm | X |
/ |
|||||
Delayed Single Rhythm
(Odd Rhythm)
ODD |
|||||||
| Count | & |
a |
3 |
& |
a |
4 |
|
| Rhythm | / |
X |
|||||
ODD |
|||||||
| Count | & |
a |
3 |
& |
a |
4 |
|
| Rhythm | X |
x |
X |
||||
For diagram definitions see
Short Hand Terms or Annotation
Hustle creates an interesting conundrum. The music is in 4/4 time (4 beats to the measure), but the dance is executed to virtual 3 beat dance measures/units in 4/4 time musically -- and yet, it is not waltz. See Hustle for further description.
Each 3 beats in waltz is a measure in 3/4 time -- consisting of 1 down-beat and 2 up-beats. The first measure is the heavy measure and the second measure is the light measure.
ODD |
ODD |
|||||||
| Count | 1 |
2 |
3 |
4 |
5 |
6 |
||
| Rhythm | X |
X |
X |
X |
X |
X |
||
ODD |
ODD |
|||||||||||||||||||
| Count | & |
a |
1 |
& |
a |
2 |
& |
a |
3 |
& |
a |
4 |
& |
a |
5 |
& |
a |
6 |
||
| Rhythm | X |
X |
X | X |
X |
X | ||||||||||||||
Also see Waltz
Turn your Flashlight in the direction of your right shoulder. The movement will start with the right shoulder moving Clockwise - the left shoulder will follow automatically. It does not start with the left shoulder first.
Rise and fall is the process of elevating or lowering the CPB (center point of balance). Much of the beauty of waltz is due to the graceful rise & fall used in the dance.
Rock Steps can occur in any direction. The principle is that the CPB does not move all the way over the over the receiving foot before returning to be centered over the sending foot.
One example is the back Rock Step which rocks back to the ball of the receiving foot -- not to a flat foot -- and then returns in place to the sending foot (where you started from).
EVEN |
|||||
| Count | & |
1 |
& |
2 |
|
| Rhythm | X |
X |
|||
| Foot | L |
R |
|||
| Direction | B |
P |
|||
| Foot Pos | 4 |
4 |
|||
For diagram definitions see
Short Hand Terms or Annotation
Rolling Count or Round Count as it is sometimes referred to, in 4/4 time is [&a1 &a2] or [&a3 &a4], etc. In 3/4 time it would be [&a1 &a2 &a3] [&a4 &a5 &a6]. Also see Count for other references. See Rolling Count Worksheet
EVEN |
|||||||
| Count | & |
a |
1 |
& |
a |
2 |
|
| Rhythm | / |
/ |
|||||
EVEN |
|||||||
| Count | & |
a |
1 |
& |
a |
2 |
|
| Rhythm | X |
X |
|||||
ODD |
|||||||
| Count | & |
a |
3 |
& |
a |
4 |
|
| Rhythm | X |
/ |
|||||
Delayed Single Rhythm
(Odd Rhythm)
ODD |
|||||||
| Count | & |
a |
3 |
& |
a |
4 |
|
| Rhythm | / |
X |
|||||
Triple Rhythm
(Odd Rhythm - Syncopated)
ODD |
|||||||
| Count | & |
a |
3 |
& |
a |
4 |
|
| Rhythm | X |
x |
X |
||||
For diagram definitions see
Short Hand Terms or Annotation
This involves a circling of the free foot and leg through any of several positions (around, up, down, in, out, etc.) without changing the position of the torso. There are many exercises performed under the title Rond de Jambe -- the most basic of which is moving the leg in a semicircle with the free foot brushing the floor or slightly above the floor. Also see Ballet Terms .
This is the same as Rolling Count. Also see Count for other references.
Web Site Feedback
See what others are saying
about this web site